Besetzung und Stab von , Regisseur: Zack Snyder. Besetzung: Gerard Butler, Lena Headey, Rodrigo Santoro, David Wenham. "" entsteht nach dem so genannten Digital-Backlot-Verfahren. Das heißt, dass die Schauspieler vor blauen Wänden agieren und die Hintergründe. Schauspieler, Cast & Crew. Liste der Besetung: Gerard Butler, Lena Headey, Dominic West u.v.m.
300: Rise of an EmpireGerard Butler (Darsteller), Lena Headey. Rise of an Empire ist die Fortsetzung des Filmes Ursprünglich sollte der Film in den Vereinigten Staaten im Spätherbst anlaufen, er wurde aber. vor Christus schickt sich eine gewaltige persische Streitmacht des sich gottgleich wähnenden Königs Xerxes an, das antike Griechenland zu unterwerfen und zu versklaven. Doch Spartanerkönig Leonidas verlässt seine geliebte Frau Gorgo, um dies.
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Photo Gallery. Slave Girl Chanelle Lamothe. Boy 1 at Market David Thibodeau. Spartan Soldier Deke Richards. Spartan Boy Jeremy Thibodeau.
Statesman Frederic Smith. Pleistarchos Giovani Cimmino. Kissing Concubine 2 Isabelle Fournel. Spartan General Robert Paradis. Concubine 2 Sara Giacalone.
Fighting Boy 12 years old Sebastian St. Long Neck Woman Trudi Hanley. Drehbuchautor Zack Snyder. Drehbuchautor Kurt Johnstad.
Drehbuchautor Frank Miller. Drehbuchautorin Lynn Varley. Drehbuchautor Michael B. Basierend auf Frank Miller. Basierend auf Lynn Varley. Komponist Tyler Bates.
Produzent Mark Canton. Upwards of costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers.
Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.
Butler said that while he did not feel constrained by Snyder's direction, fidelity to the comic imposed certain limitations on his performance.
Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set".
Post-production was handled by Montreal's Meteor Studios and Hybride Technologies filled in the bluescreen footage with more than 1, visual effects shots.
Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush,"  which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark.
Certain sequences were desaturated and tinted to establish different moods. Ghislain St-Pierre, who led the team of artists, described the effect: "Everything looks realistic, but it has a kind of a gritty illustrative feel.
In July , composer Tyler Bates began work on the film, describing the score as having "beautiful themes on the top and large choir," but "tempered with some extreme heaviness".
The composer had scored for a test scene that the director wanted to show to Warner Bros. Bates said that the score had "a lot of weight and intensity in the low end of the percussion" that Snyder found agreeable to the film.
The score has caused some controversy in the film composer community, garnering criticism for its striking similarity to several other recent soundtracks, including James Horner and Gabriel Yared 's work for the film Troy.
The heaviest borrowings are said to be from Elliot Goldenthal 's score for Titus. Pictures acknowledged in an official statement:.
Warner Bros. Pictures has great respect for Elliot, our longtime collaborator, and is pleased to have amicably resolved this matter.
The official website was launched by Warner Bros. The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site.
In January , the studio launched a MySpace page for the film. At Comic-Con International in July , the panel aired a promotional teaser of the film, which was positively received.
The background music used in the trailers was " Just Like You Imagined " by Nine Inch Nails. A second trailer, which was attached to Apocalypto , was released in theaters on December 8, ,  and online the day before.
In April , Warner Bros. Interactive Entertainment announced its intention to make a PlayStation Portable game, March to Glory , based on the film.
Collision Studios worked with Warner Bros. In August , Warner Bros. On July 21, , Warner Bros. This new Blu-ray Disc is encased in a page Digibook and includes all the extras from the original release as well as some new ones.
These features include a picture-in-picture feature entitled The Complete A Comprehensive Immersion , which enables the viewer to view the film in three different perspectives.
This release also includes a digital copy. On July 9, , American cable channel TNT bought the rights to broadcast the film from Warner Bros.
TNT agreed to a three-year deal instead of the more typical five-year deal. Since then ' s Spring release record was broken by Fast and Furious and ' s March record was broken by Tim Burton 's Alice in Wonderland.
Once you make a great movie, word can spread very quickly. Since its world premiere at the Berlin International Film Festival on February 14, , in front of 1, audience members, it received a standing ovation at the public premiere,  it was panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.
The site's critical consensus read, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes.
Some of the most unfavorable reviews came from major American newspapers. Scott of The New York Times describes as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".
Variety 's Todd McCarthy describes the film as "visually arresting" although "bombastic"  while Kirk Honeycutt, writing in The Hollywood Reporter , praises the "beauty of its topography , colors and forms".
At the MTV Movie Awards , was nominated for Best Movie, Best Performance for Gerard Butler, Best Breakthrough Performance for Lena Headey, Best Villain for Rodrigo Santoro, and Best Fight for Leonidas battling "the Über Immortal",  but only won the award for Best Fight.
In the actual historical event, by the time of the Battle of Thermopylae the Spartans had already entered into an alliance with other Greek poleis against the Persians.
Like during the Battle of Marathon 10 years before in , the time of Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia , in which the Spartans were not permitted to make war.
Still, realizing the threat of the Persians, and not wanting to appear as Persian sympathizers, the Spartan government—rather than Leonidas alone—decided to send Leonidas with his personal strong bodyguard to Thermopylae.
The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles.
Since few records about the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography led by stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.
The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ". Paul Cartledge , Professor of Greek History at Cambridge University , advised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta.
He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its " 'West' goodies vs 'East' baddies polarization".
Ephraim Lytle, assistant professor of Hellenistic History at the University of Toronto , said selectively idealizes Spartan society in a "problematic and disturbing" fashion, as well as portraying the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak.
He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians".
Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx. This is a transparent defence of Spartan eugenics , and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.
Victor Davis Hanson , National Review columnist and former professor of Classical history at California State University, Fresno , who wrote the foreword to a re-issue of the graphic novel, said the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations".
He remarks that Simonides , Aeschylus , and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ".
Touraj Daryaee , now Baskerville Professor of Iranian History and the Persian World at the University of California, Irvine , criticized the film's use of classical sources, writing:.
Some passages from the Classical authors Aeschylus , Diodorus , Herodotus and Plutarch are split over the movie to give it an authentic flavor.
Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film.
Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted.
Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.
Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.
Stills from the film could easily be used to promote Buns of Steel, or AbMaster, or ThighMaster. It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.
The director of , Zack Snyder , stated in an MTV interview that "the events are 90 percent accurate. It's just in the visualization that it's crazy I've shown this movie to world-class historians who have said it's amazing.
They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".
In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.
I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.
Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.
I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.
Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction",  notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".
He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights.
This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.
The Persians really used elephants in combat, but not during the first two wars against the Greeks; historical sources say that the first time the Greeks encountered elephants was in the battle of Gaugamela , won by Alexander the Great , one hundred and fifty years later.
Moreover, it is absolutely impossible that Persians used African rhinoceros like that shown in the film, also given the impossibility of training them for any purpose, as borne out by animal behavior's scientists.
According to the Spartan tradition, newborns were inspected and discarded in case of deformity or weakness, but they were not pushed down a cliff as shown in the film.
Before the release of , Warner Bros. The Stone Quarry Deborah Snyder. GND : Mi hivatkozik erre? Mark Canton Bernie Goldmann Gianni Nunnari Jeffrey Silver.
Zack Snyder Kurt Johnstad Michael Gordon. Gerard Butler Lena Headey David Wenham Rodrigo Santoro Dominic West. Tyler Bates. Larry Fong. William Hoy.
Warner Bros.Chaste Elektra John Garrett Karma Kirigi Maggie Murdock Mauler Nuke The Conjuring 1 Yashida Stick. Pictures Netflix Gleichzeitig Schauen in an official statement:. Statesman Loucas Minchillo They Schöpfers Ende their ships into the Persian ships, charge them, slaughtering several soldiers before retreating from the sinking Persian ships. March 6, Pleistarchos as Giovani Antonio Cimmino Stephen McHattie Retrieved December 1, He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. In Athens, Xerxes's army is laying waste when Ephialtes arrives to deliver Themistocles' message. Edit Did You Know?