Film The Lobster: Eine Gesellschaft in der nahen Zukunft, in der ein Leben zu zweit das oberste Gebot ist. Singles Cineman Movie Charts Watchlist. John C. Reilly, The Lobster International Trailer 1 () Colin Farrell, Rachel Weisz Comedy Movie [Official Trailer] The Lobster Kritik: Rezensionen. Im dystopischen Liebesdrama The Lobster werden Singles dazu gezwungen, sich innerhalb von 45 Tagen zu verlieben. Andernfalls droht Rachel Weisz, Colin.
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Lobster Movie Movies / TV VideoThe Lobster 2015【HD】✪✪✪ Colin Farrell, Rachel Weisz, Jessica Barden
Jetzt sind die Gangster Fußballgucken.Info pltzlich hinter Jackie her und entfhren seine Freundin Miki Sky Filme Stream Deutsch Hochwasser In Deutschland - The LobsterEine Verbündete, das Zimmermädchen des Hotels, unterstützt sie mit Zugangskarten zu Mackenzie Phillips Doppelzimmern.
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Why is she so emotionally invested? And with that jarring act of peculiar violence, we're off. We're never told how this world came to be, it just simply is.
There isn't any extensive exposition save for one initial sit down David has with hotel management to determine what animal he'd like to turn into at the end of his stay if unsuccessful in love.
There's a genuine sense of authenticity to this deeply weird place and the characters all play it with straight-laced absurdity, which makes the satire land even harder.
It sells even the most bizarre aspects, like the ongoing visual incongruity of wild animals just trotting around the background.
You can sit back and think, "I wonder what that peacock's story was, or that donkey, etc. I loved discovering new little wrinkles and rules to Lanthimos' world that made perfect sense within its parameters.
In a world where coupling is the only goal, of course masturbation would be a punishable crime. I enjoyed that there are other means guests have to stay at the hotel, chief among them hunting down the loners in the woods, which allow the more awkward or anti-social guests added time at the expense of others.
Even in a world this bizarre, there are people who are making their own way, including the revolutionaries in the woods more on them later.
The movie is exceedingly funny and so matter-of-fact about its peculiarities to make it even funnier.
The movie straddles the line between skewed ironic romance and cynicism, so I'm not surprised it's rubbed people the wrong way.
It's certainly written from the point of view of someone who is single and those currently in that category will likely relate the most to the film's strident social commentary.
The pressures can seem absurd in their own regard, and the film has a clever concoction where the "happy couples" are merely two people who share a superficial physical trait.
These two people are near-sighted. These two people get nosebleeds. These two people have a limp. Even the characters are named after their physical depictions, like The Limping Man and Short-Sighted Woman.
It's not exactly subtle but the satiric effect is still effective. The hotel manager says, to a newly cemented couple, "If you encounter any problems you cannot resolve yourselves, you will be assigned children, that usually helps.
She is ignored and often threatens to kill herself, and then one day she does it by jumping out a hotel window, but she's not successful.
It's one more dark, awful ironic point of suffering for this woman, and she screams in agony while others ignore her, including a clearly affected David, still trying to play indifferent to win over the hard-hearted woman he sees as his best way out of the hotel.
It's a hard moment to process but one that made me admire the film even more for the cold courage of its convictions. Supplementing the dark satire is an off-kilter romance that emerges halfway through the film once David escapes the hotel.
He finally meets up with the source of our narration, the Short-Sighted Woman Rachel Weisz. It's here that the movie shows glimmers of hope for the hopeless as David and this woman are drawn to one another.
They're in a world of outcasts but the rules of those in the forest do not allow coupling. They reject the expectations of the ruling order, and so they must remain resolutely single.
They build up their own secret non-verbal language to communicate their feelings, much like a couple builds its own personal shorthand and inside jokes.
The loners are only to listen to music individually and dance the same, but David and the Short-Sighted Woman synch their CD players to listen to the same track, to simulate like they are sharing a dance together even if not in proximity.
It's here where The Lobster becomes a beguiling and surprising love story and one where the heartless may grow a heart, watching two odd people find one another in such an odd world.
However, Lanthimos does not let this emergence of romance blunt his message. The loner leader Lea Seydoux suspects coupling in her group and goes to some pretty drastic lengths to test the fortitude of feelings between David and his secret girlfriend.
It's like getting cold water dumped on the runaway spell of optimism. The fitting ending is left in ambiguity for the audience to determine whether they were meant to be after all.
It's also in the second half of The Lobster that the movie loses some of its grandeur and momentum. We're introduced to a new primary setting with new rules to adapt to and a new order to follow, and there's a general interest to discovering another competing area of this landscape with a diametrically opposed social order.
They punish people by mutilating parts that come into affectionate contact with another person. We see a couple with bandages around their red, swollen mouths, and then the reference of the "red intercourse" makes your imagination fill in the horrific blanks.
David has left one regime dictating his life to another regime dictating his life, but they just aren't as interesting. It feels like the film is starting to repeat itself.
I would say the second half world building isn't as compelling as the first but that's why the romance emerges, something for the audience to root for.
Now that he's finally found someone he connects with they're not allowed to be together. There's never a shortage of irony in a Lanthimos movie.
The actors are perfectly in synch with the strange rhythms of this world, and Farrell Fantastic Beasts and Where to Find Them and Weisz The Light Between Oceans deserve special attention for their committed performances.
Farrell gained 40 pounds for the role, which seems to have translated right into his stint on season two of HBO's True Detective.
He's a schlubby guy that's still mourning the deterioration of his marriage and larger society is insisting he get over it. He has only 40 days to recover or he'll be plucked from the ranks of humanity.
There's great sadness tinged in his nonchalant responses to the absurd realities of this world, and Farrell keeps finding ways to make you laugh and wince.
Weisz is our placid voice into the strange new world and it helps establish a sense of grounding as well as connection to her character when she eventually emerges.
She injects a palpable sense of yearning to her character, especially once David is in reach and they begin their relationship. It's got the cute romantic comedy staples but on its own terms, and seeing Weisz smile warmly is a pleasure in a morbid movie.
The Lobster is a romance for our age and an indictment of the romance of our age, an era where the swipe of a finger on an app is the arbitrator of contemporary dating.
It's a satire on our fixation of coupledom and being in relationships even when they're not sensible. It's a cracked fairy tale that punctuates the romantic love we've watched distilled to an essence in Hollywood movies.
It's a surreal and dark movie that manages to become emotionally moving and poignant, leaving on a note of uncertainty enough for different factions in the audience to interpret as either hopeful or hopeless.
The Lobster is a unique movie with a singular artistic voice that dominates every shape of the narrative, the characters, and the boundaries of this fantastic alternative world.
I imagine my depth of feeling for the movie will only grow the more I watch it. This isn't an overwhelmingly dark or unpleasant movie without the presence of some light.
It's not an overly off-putting movie without an accessibility for a curious audience, whether those people are single or in happy relationships.
The movie is inventive, transporting, but still relatable, rooting the nexus of its weirdness on the same awkwardness and anxiety everyone feels with the prospects of prolonged romantic courtship.
If was a year that celebrated the oddities of cinema getting their due, then The Lobster is a captivating and unusual creation deserving of its spotlight and surefire future cult status amidst lovers of the weird.
Nate's Grade: A. Nate Z Super Reviewer. Dec 21, Breathtakingly avid in its efforts to both bemuse and entertain, Greek absurdist Yorgos Lanthimos' latest effort The Lobster is an amazing film.
It boasts brilliant performances from Colin Farrell and Rachel Weisz as well as committed acting from supporting cast John C.
Reilly, Ashley Jensen and particularly Olivia Colman as the delightfully villainous and straight-forward hotel manager. The Lobster is fascinating in its themes of loneliness, social isolation and the civilian pressures of fanatic, serial dating.
Lanthimos' bleak perspective - both real and surreal - is evident once again throughout, with long winding white corridors and mostly completely central scenes, almost like everything is filmed in a box, even scenes in the forest.
Academy Award winner Marlee Matlin reveals how she felt the first time she ever saw a deaf actress on television and discusses the importance of authentic representation on screen.
A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days.
If they fail, they are transformed into an animal and released into the woods. Written by R. Wow, people love this movie. My girlfriend, a fan of dystopian fiction, had been told she would like this, and was actually very excited about it.
I found the premise offputting and thought it would be inherently depressing. So we went into the movie with different expectations, but by the halfway point, we both agreed it wasn't worth continuing.
This is a very odd movie. People speak in awkward sentences as though the dialogue was written by someone who specializes in English as a second language instructional audio tapes.
The basic premise single people must quickly become coupled or they will be turned into animals is never explained, meaning it's not really dystopian fiction but just absurdist drama, and as that it's not that interesting.
It's a very unpleasant movie. People do awful things, but no one is horrified; the movie is, perhaps, about how numb people are to the tragedies of the world, but for me, it was just a weird mix of disturbing, detached, and dull.
From what I've read, some people find this movie really funny. I found almost nothing about it funny. Or interesting. After we gave up, we did check out the synopsis on wikipedia to find out how it all turned out.
That convinced us we'd made the right decision. If you like dark, arty, abstract, emotionally distant satire, you might like this.
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Official Sites. Calling themselves the Loners, the group lives in the woods and strictly forbids any type of romantic relationship.
David eventually joins the rebel faction where he meets another loner Rachel Weisz who is short-sighted like him. David decides the best course of action is to blind himself with a steak knife so he and the Short-Sighted Woman are back on the same level.
You can find other films using the search option on top of this page. In many Asian countries, this extends to buying a car, buying a house, having a child, and so on.
Many people give in to this societal pressure and find themselves in a relationship that they are not truly happy with.
Lobster is set in a world where the milestone of partner-finding is taken to the extreme. I know, this world sounds completely insane?
Her is another movie that comes to mind when we look at the romantic angle. The resulting divorce made them single.
While he went off and opted to become a donkey, she hooked up unhappily with someone else to remain human. She now blames him for her miserable life and chooses to kill him.
Sorry for sounding like Sherlock there. But did she really know which donkey was her husband? Perhaps not. The scene also shows how the validity of human life is not extended to animals.
David has recently become single after a year-old relationship and checks into the Hotel with a dog who was once his brother. While he seems eager to find a partner, he knows that he has no outstanding physical traits or a habit.
After that, the remains of the human are thrown away, and the blood is donated to hospitals. While this is how the process is believed to take place, it seems like an ideal corporate lie to mask the organ-harvesting of individuals who are not worthy enough for society.