Ghostbusters II ist eine US-amerikanische Science-Fiction-Komödie von Regisseur Ivan Reitman aus dem Jahr und die Fortsetzung des Films. Ghostbusters 2 ein Film von Ivan Reitman mit Bill Murray, Dan Aykroyd. Inhaltsangabe: Fünf Jahre nach den Ereignissen des ersten Teils sind die Geisterjäger. Die Geisterjäger Ray, Peter, Egon und Winston werden wegen der Zerstörungen, die sie bei ihrer Arbeit anrichten, vor Gericht zitiert. Ihnen wird verboten, sich weiter im Geisterjäger-Geschäft zu betätigen. Doch Dana braucht die Hilfe der alten.
Besetzung & Stab: Ghostbusters 2Bill Murray, Dan Aykroyd, Harold Ramis und Ernie Hudson melden sich mit Ghostbusters 2 zurück und machen Jagd auf einen dämonischen Karpatenfürsten. Ghostbusters 2: Komödie von Ivan Reitman mit Bill Murray/Harold Ramis/Sigourney Weaver. Auf DVD und Blu-Ray. Ghostbusters II. USA (Ghostbusters 2). Jetzt ansehen. Fantasy/Komödie ( Min.).
Ghostbuster 2 Ghostbusters II VideoGhostbusters 2 (1989) Music Video Mehr erfahren. Ghostbusters II ist eine US-amerikanische Science-Fiction -Komödie von Regisseur Ivan Reitman aus dem Günter Jauch und die Fortsetzung des Films Ghostbusters — Die Geisterjäger von Wegen der Zerstörungen, die sie bei ihrer Arbeit angerichtet haben, werden sie vor Kinoger Stream zitiert und ihnen wird verboten, sich weiter im Geisterjäger-Geschäft zu betätigen. Kritikerrezensionen Ghostbusters 2 Kritik Temporeiche Fortsetzung der Konferenz Bundesliga Filmkomödie aller Zeiten mit der kompletten Originalbesetzung.
Genau wie die Folgen der Assmann Wdr knnt Ghostbuster 2 auch hier spter noch online einschalten. - NavigationsmenüIm englischen Original spricht Janosz Poha mit deutschem Akzent. Courtroom uncredited. Transformers Filme Auf Deutsch Real Ghostbusters episodes Extreme Ghostbusters Ghostbusters: Ecto Force TBA. Ghostbusters II is a action video game based on the film of the Youtube Spielfilme name. Man with a Ticket. The Philadelphia Inquirer. The Mayor of NY Kurt Fuller Harold Ramis Dan Aykroyd. Soundtracks On Our Own Written by L. Police Sergeant. Dock Supervisor Yvette Cruise
Im Moment gilt Streaming als rechtliche Grauzone, stellte The Deuce Online erst zu diesem Zeitpunkt Ghostbuster 2. - DVD und Blu-rayDie deutsche Synchronisation entstand nach einem Synchronbuch von Arne Elsholtz unter dessen Bs.Tohttps://Www.Google.De im Auftrag der Berliner Synchron.
Bande-annonce Voir sur Netflix Ce film en VOD. Mes amis. Envie de voir. Titre original Ghostbusters II. Distributeur Columbia TriStar. Secrets de tournage 4 anecdotes.
Vigo William T. Baby Oscar as Will Deutschendorf Henry J. Deutschendorf II Baby Oscar as Hank Deutschendorf Michael P. Frank the Doorman Olivia Ward Meter Maid Mordecai Lawner Man with a Ticket Susan Boehm Young Woman on Crutches Mary Ellen Trainor Brownstone Boy 1 Jason Reitman Brownstone Boy 2 Aaron Lustig Norman the Producer Page Leong Spengler's Assistant Mark Schneider Arguing Couple Valery Pappas Arguing Couple Catherine Reitman Girl with Puppy Dave Florek First Cop Richard Foronjy Con Ed Supervisor George P.
Bailiff as George Wilbur Sharon Kramer Stenographer Walter Flanagan Rudy the Museum Guard Bobby Brown Mayor's Doorman as Bobby Baresford Brown Christopher Neame Maitre D' Judy Ovitz Slimed Restaurant Patron Tom Dugan Restaurant Cop 1 Angelo Dimascio Trivia At the very beginning of the movie, an onscreen message says '5 years later.
Goofs Air pipes are clearly visible on the flying chairs in the court room scenes. Quotes Vigo : Death is but a doorway, time is but a window, I'll be back.
Crazy Credits Slimer is credited as a cast member during the closing title sequence. Alternate Versions In the Spanish Castilian version the mayor's dialogue about Fiorello LaGuardia 's ghost is changed to Rudolph Valentino 's ghost.
Soundtracks On Our Own Written by L. Reid as L. Performed by Bobby Brown Courtesy of MCA Records, Inc. Was this review helpful to you? Yes No Report this.
Frequently Asked Questions Q: What is "mood slime"? Q: What is 'Ghost Busters II' about? Q: Is 'Ghostbusters II' based on a book?
Edit Details Country: USA. Language: English. Runtime: min. Sound Mix: Dolby SR Dolby Stereo Germany, 35 mm prints Dolby Atmos Blu-ray release.
Color: Color. Computer and Video Games. The Games Machine. January Amstrad Action. Commodore Format. August Amiga Format. Commodore User.
Your Sinclair. Sinclair User. December Retrieved The Philadelphia Inquirer. Retrieved April 23, — via Newspapers.
November in New York. Das Gerichtsgebäude ist das Thurgood Marshall United States Courthouse , und das Museum ist das Alexander Hamilton U.
Custom House. Wie beim ersten Film wurde auch in Los Angeles gedreht. Der fiktive Van-Horne-Tunnel basiert auf dem Beach Pneumatic Transit.
Nach 13 Wochen davon 67 Tage in New York endeten die Dreharbeiten. Der für den Film verwendete Schleim war ungiftig und essbar. In einer Szene kamen etwa Sigourney Weaver scherzte bei der Filmpremiere, dass Bill Murray aufgrund einer Vertragsklausel im Film keinen Schleim abbekommen habe.
Die deutsche Synchronisation entstand nach einem Synchronbuch von Arne Elsholtz unter dessen Dialogregie im Auftrag der Berliner Synchron.
Im englischen Original spricht Janosz Poha mit deutschem Akzent. He wanted to focus on character interaction, believing that was the original film's main draw.
He described Ghostbusters ' success as a phenomenon that would forever be his biggest accomplishment and felt "radioactive" after the failure of his personal project The Razor's Edge He chose to avoid making films until he returned for Scrooged.
He said he returned for the sequel because "working on the first Ghostbusters was the most fun any of us had". The character of Janosz Poha, portrayed by Peter MacNicol, was originally called Jason and serves as a straight man to the Ghostbusters.
He developed the accent from his Czech friend and from observations at a Romanian tourist agency. In the script, Poha is not described as having an accent but MacNicol impressed Reitman with it at his audition.
Max von Sydow provided the voice of Vigo; he completed his recordings in a single day. The character was instrumental in their liberation but his scenes were cut.
The city authorities were supportive of the project and even granted the crew permission to film on the Manhattan 's Second Avenue during a period in which access for forty city blocks was restricted because of the visit of Mikhail Gorbachev , leader of the Soviet Union.
The updated Ghostbusters' business logo, which was gifted to the firehouse staff after filming, was hung on the outside of the building but eventually fell off.
The Alexander Hamilton U. Custom House served as the exterior of the Manhattan Museum of Art, which housed the Vigo painting. Space in the hole was limited, and the actors had to squeeze into it while covered in slime.
Freezing temperatures combined with the liquid slime made the actors uncomfortable. The following day, they learned the cameras had been recording at the wrong speed and they would have to film the scene again.
Filming had moved to Los Angeles by late December Following test screenings , the principal crew realized there were numerous issues with the film.
Extensive re-shoots were conducted throughout March and April , only two months before the film's release; these included on-location filming in New York.
When they learned the superhero film Batman was also being released that day, they asked to move to the 16th. According to Gross, "Joe Medjuck and I were turning pale It was a real killer".
Several new scenes were added to increase the sense of urgency and threat to the Ghostbusters, including the underground ghost train sequence and the associated severed-heads scare.
A scene showing the Ghostbusters' developed photographs of Vigo bursting into flames, threatening to immolate them, was also added. Reitman wanted these scenes added because he thought his previous cut of the film focused too much on the relationship between Murray's and Weaver's characters.
It was added to create a sense of an unseen force trying to keep the Ghostbusters away. The additional content replaced some scenes and subplots that were far into completion and contained finished special effects.
They took part in filming, screaming on cue and running to escape the monster. One of the cut scenes included a subplot in which the Raymond Stantz character is possessed by Vigo following his inspection of the Vigo painting.
Raymond erratically drives the Ectomobile until he is freed of Vigo's control by Winston. This explained Raymond's possession in the finale.
Some of this footage was repurposed into a montage. Other removed scenes showed Raymond and Egon experimenting with the slime, which explained how they learned to manipulate it to control the Statue of Liberty.
A ghost was also removed from the sequence in which the slime causes ghosts to rise across New York because Reitman felt it was not creepy enough.
Ray Parker, Jr. Brown agreed in exchange for receiving a role in the film. Filming had nearly concluded at that time, but Reitman wrote Brown a cameo as the mayor's doorman.
Reid , Babyface , and Daryl Simmons. The music video features appearances by Iman , Jane Curtin , Doug E. Fresh , Christopher Reeve , Malcolm Forbes , Rick Moranis, Donald Trump , and Marky and Joey Ramone.
Brown also worked alone to write and produce "We're Back". He thought the small usage was an excuse to be able to release it on the soundtrack and said if he had known he would have pulled the song.
As with his work on Ghostbusters , Reitman had little interest in the technical side of his film. Edlund's former ILM co-worker Dennis Muren served as the visual effects supervisor.
ILM eventually refused to accept any further alterations. Methocel, a vegetable-based gel, was used to create the slime. Physical effects supervisor Chuck Gaspar mocked up differently colored batches and Reitman settled on pink.
After reaching the end of the river, the slime fell into another tank, from which it was fed back to the upper tank.
Air injectors and puppeteered baffles were used to create bubbles and manipulate the slime to flow as though something was moving beneath the surface.
The large tentacle was plastic and was filmed against a blue screen as it fell away from a stand-in's boot. The footage was then played in reverse so the tentacle would appear to be grabbing at Aykroyd.
Hudson's character being dragged away by the slime's current was filmed against a blue screen so he would appear in the river; his motion in the river had to be animated by hand against the river's natural movements.
The returning Slimer ghost was re-developed to be more child-friendly like his popular The Real Ghostbusters incarnation. His face, which was controlled with wires and cables in Ghostbusters , was now controlled by servo motors and had a pneumatic jaw.
Bobby Porter was hired to wear the Slimer costume until the character was removed from the film entirely. A few weeks later, Slimer was reinserted but by this time, Porter was not available and was replaced by Robin Shelby.
The Scoleri Brother ghosts, Tony and Nunzio, were inspired by a pair of brothers who robbed Ramis' father's store. Creature designer Tim Lawrence was influenced by the musical comedy film The Blues Brothers , which starred Aykroyd and featured two brothers, one of whom was tall and thin Tony and the other short and fat Nunzio.
The brothers were given a cartoonish design to counter the film's scary moments. Lawrence aimed to represent the characters' evil rather than their pre-death appearances.
The costume was worn by Lawrence. The impossibly thin Tony was designed as a life-size puppet but Muren thought this approach would impact the filming schedule.
Tony was reworked as a costume that was worn by actor Jim Fye; it was given elongated appendages to appear unnaturally thin.
The ghosts' faces were articulated with motors and pneumatics created by mechanical animator Al Coulter and his team. Lawrence also developed an animation system to allow the masks to lip-sync dialog.
Alongside early concepts of the ghosts walking and creating explosive ruptures with each step, most of these features were abandoned in the final film.
Lawrence later said without those features the same effect could have been created with a one-third-scale puppet.
Reitman wanted her to pass through the doorway while seeing above it. Gaspar's team created a passage made of foam above a door that resembled the iron grill.
The foam was spring-loaded so that when the wire passed through, the set sprang back into place quickly; the effect was hidden behind a composite of Nunzio.
He was also restricted by the budget, saying he "could use only fourteen chairs. I could also blow up four pillars and one wall of glass".
The animated Statue of Liberty was conceived by Aykroyd, who liked the idea of taking a static image and making it move about, comparing it with seeing the Eiffel Tower moving or Victoria Falls flowing in reverse.
The crown was mounted on a gimbal , allowing it to be pivoted as though its wearer was walking.